
Ryan Tedder, ComposerLyricist - Chris Worsey, AssociatedPerformer - Stephen Morris, AssociatedPerformer - Chris Laurence, AssociatedPerformer - David Daniels, AssociatedPerformer - Chris Elliott, Arranger - Peter Lale, AssociatedPerformer - Jim Abbiss, Producer, Mixer - Caroline Dale, AssociatedPerformer - Emlyn Singleton, AssociatedPerformer - Patrick Kiernan, AssociatedPerformer - Julian Leaper, AssociatedPerformer - Cathy Thompson, AssociatedPerformer - Bruce White, AssociatedPerformer - Tom Piggott-Smith, AssociatedPerformer - Boguslav Kostecki, AssociatedPerformer - Jackie Shave, AssociatedPerformer - Rita Manning, AssociatedPerformer - Ian Dowling, Mixer - Neil Cowley, AssociatedPerformer - Adele, MainArtist - Adele Adkins, AssociatedPerformer, ComposerLyricist - Rachel Stephanie Bolt, AssociatedPerformer - Universal Music Publishing Ltd., MusicPublisher - Kobalt Music Publishing, MusicPublisher - Harry Fox Agency, MusicPublisher - Warren Zielinksi, AssociatedPerformer - CMRRA, MusicPublisher - Write 2 Live (ASCAP), administered worldwide by Kobalt Music Publishing America Ltd., MusicPublisherĢ011 XL Recordings Ltd 2010 XL Recordings Ltd Ultimately, Adele does give us her all on 21, and for now that is enough. Similarly enthralling is the centerpiece of the album, the mega-ballad showstopper "Take It All." Co-written by her "Chasing Pavements" partner Francis White, the song begins with Adele proclaiming "Didn't I give it all?" Delivered starkly at first with Adele set against simple piano accompaniment and later backed by a gospel choir, it's an instant-classic sort of song in the tradition of "The Rose," "And I Am Telling You I Am Not Going," and "All by Myself" that could stand over the years as a career landmark for the singer and a cathartic moment for fans who identify with their idol's Pyrrhic lovelorn persona. Elsewhere, we get tracks like the blues-inflected Ryan Tedder co-write "Rumour Has It" and the old-school-style soul cut "He Won't Go," which are terrifically catchy, booty-shaking numbers and exactly the kind of songs you want and expect from Adele. Last time around we got the gauzy, Callier-esque folk-soul ballad "Daydreamer" to slowly draw us into the album here, Adele immediately injects us with the propulsive gospel fever-blues anthem "Rolling in the Deep." While the track certainly owes a heavy debt to the punk-blues of Beth Ditto and the Gossip, it is also ridiculously sexy and one of the best singles of any decade. The best thing the album does is to showcase Adele's titanic vocal ability, which - more than a few times on 21 - is simply spine-tingling. She is still the bluesy pop diva with a singer/songwriter's soul and seemingly bottomless capacity for heartbreak. In many ways, her sophomore album, the similarly age-appropriate-titled 21, is a continuation of the sounds and themes Adele was working with on 19.

The album earned her a ton of fans, and interest was high for the inevitable follow-up. Buy the album Starting at 13.99€Īdele's 2009 debut album, 19, was a Grammy-winning smash hit that revealed the British singer/songwriter's knack for bittersweet soul and folk-infused love songs that brought to mind an infectious mix of Dusty Springfield and Terry Callier.

Purchase and download this album in a wide variety of formats depending on your needs.
